岭众全案桓墅软陈 | 阿尔贝娜 · 当代解构下涂料空间的游园之趣

解构主义是雅克·德里达的一个思想术语，其产生了一种先锋派的打破传统风格。“解构”概念源于海德格尔《存在与时间》中的“deconstruction”一词，原意为分解、消解、拆解、揭示等。

Deconstruction is an ideological term of jacques derrida, which has produced an avant-garde style of breaking the tradition. The concept of "deconstruction" originated from the word "de construction" in Heidegger's Being and Time, which originally meant decomposition, digestion, disassembly and disclosure.

在整体的立构中通过把墙体的拆解打散后，又经过重新的组合形成新的围合形式，看是分离的个体又存在相互连接的关系。   

In the whole structure, a new enclosing form is formed by disassembling and breaking up the wall and then re-assembling it, which shows that the separated individuals are connected with each other.

Linear language constitutes rational spatial order

整个展厅设置了接待区、洽谈区、产品陈列区，在相对有限的空间里，展厅除了实现几大基本功能，更多是回归人的体验情绪。入口处通过台阶高与低，尺度上开与合，向空间开不同的口，装折出“处处领虚，方方侧景“的居景错综。除了“引入”，我们还希望来访者可以“走进”园林，与自然进行一场简单的对话。

The entire exhibition hall has a reception area, a negotiation area and a product display area. In a relatively limited space, the exhibition hall not only realizes several basic functions, but also returns to people's experience emotions. The entrance is opened and closed in scale by the height and height of the steps, opening different openings to the space, and folding out the intricate residential scenery of "leading everywhere and having a square side view". In addition to "introduction", we also hope that visitors can "walk into" the garden and have a simple dialogue with nature.

大厅采用了园林的透景、半透、借景的设计思路，形成一种半透明的、弱光线的大厅环境。通过重构艺术的手法，对空间进行分切和组合；将自然园林引入室内空间，让阿尔贝娜产品不必囿于水泥森林，得以充分浸润在植物、光与风当中，去向人们主动诉说。

The whole hall adopts the design idea of landscape-penetrating, semi-penetrating and landscape-borrowing, forming a translucent and weak light hall environment. By reconstructing art, the space is divided and combined; The introduction of natural gardens into indoor space will enable Albena's products to be fully immersed in plants, light and wind without being confined to cement forests, and to tell people actively.

▲涂料细节展示

迂回而有趣的空间路径设置，灵活的分割和衔接的空间，构造出完整统一的空间序列，自然过渡到不同区域，随方制象，诗意游园。两侧洽谈区做下沉式设计，整个形成高低、大小空间变化，使来访者获得更多丰富的视觉和参观体验。

The circuitous and interesting spatial path setting, flexible division and connection of space, construct a complete and unified spatial sequence, naturally transition to different regions, make images with the party, and enjoy the garden poetically. The negotiation areas on both sides are designed in a sinking way, which changes the height and size of the whole area, and visitors get more rich visual and visiting experiences.

▲材质与空间细节

Red box, brand vision

红色是阿尔贝娜的品牌色，在整体素雅的空间中设计师做了一个大体量的红色盒子穿插其间，点亮整个店面的同时也给到来访者独有的记忆点。同时将洽谈区隔墙放置在视平线的高度，让更多的交流与互动罩上一层朦胧。

Red is the brand color of Albena. In the overall elegant space, the designer made a large amount of red box to insert it, which lit up the whole store and gave visitors a unique memory. At the same time, the wall will be placed at the height of apparent horizon, so that more communication and interaction will be covered with a hazy layer.

Edoardo Chilida说：“空间是我们周围事物中最具活力的，就像精神的本质”。设计师希望空间能裹挟着来访者流动穿梭于其内，在路径的迂回变化间，空间也切换着它的面貌，在通透清晰与模糊混沌间切换。

Edoardo Chilida said: "Space is the most dynamic thing around us, just like the essence of spirit". Designers hope that space can wrap visitors around it, and in the circuitous changes of the path, space also switches its face, between transparency and ambiguity.

▲涂料细节展示